- CHANGE GUITAR RIG PRESETS IN ABLETON HOW TO
- CHANGE GUITAR RIG PRESETS IN ABLETON INSTALL
- CHANGE GUITAR RIG PRESETS IN ABLETON DOWNLOAD
Live’s Auto Pan can be used as a creditable mono tremolo: reduce the Phase setting and Shape to zero, choose sine wave, and adjust the Amount and Rate to taste. Like fuzz, tremolo has returned to favor after an absence. This is all part of the fun, so experiment. The Saturator will clean up like a Fuzz Face when you back off your instrument volume, creating Hendrix-style rhythm tones unavailable any other way. It is also affected by the guitar’s volume control level. Unlike Big Muff-style fuzz, Fuzz Face fuzz is very interactive the sound you get varies greatly depending on the type and amount of amp and overdrive gain stages further down the chain. Here too, we map the Drive and overall Output to the rack controls. If you wish to soften the sound, place it in front of a slightly overdriven amp setting, or combine it with the TS-999 set for low Drive. Start with the default, choose Hard Curve, boost the Drive to about 4 dB, and pull the Output down to -7 dB. The Saturator plug-in supplied in basic Live can be set up to add impressively dynamic Fuzz Face flavor.
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Overdrive is timeless, but these days fuzz is all the rage. It is easy to then set two Macro controls to modulate the amount, keeping these parameters available when collapsing the rack. We have configured the TSTSE808’s drive and tone controls to the Live GUI by clicking Configure and rotating the knobs on the original GUI. This is where the rack configuration starts to come in handy. Place it in the Audio Rack in front of Live’s Amp and-presto-you have a Tube Screamer-type drive to add at will.
CHANGE GUITAR RIG PRESETS IN ABLETON DOWNLOAD
Live doesn’t come with stompbox models per se, so if you want an overdrive in front of the amp, download Ignite Amp’s free TSE Audio TS-808 plug-in, or you can use the Nick Crow Lab Tube Driver. As with real amps, higher Gain can add amp noise, so if you live for more distorted settings you might want to add Live’s Gate plug-in to your rack. Feel free to experiment by varying the Gain, swapping out cabinet configurations, or changing the mic type and axis. The Blues option is particularly expressive, offering a realistic, dynamic response to pick attack, and adding tube-like warmth to clean and slightly gritty settings.Īt lower gain settings, all these amps clean up nicely when you back off the guitar volume. Lead and Heavy also benefit from the 4×12 configuration to produce variations on heavy metal grit in the Mesa-Boogie Rectifier zone. The Rock amp offers classic rock a la Marshall-here the 4×12 cabinet is suggested. Boost mode will put you in the Vox area, especially with the 2×12 cabinet setting. For traditional jazz you might want to change the microphone from Condenser to Dynamic, eliciting a warmer tone. If you primarily do clean funky rhythm work, set the amp type to Clean (read: Roland JC-120) and stick with the cabinet default settings. Into the area that reads, “Drop Audio Effects Here,” drag the Amp and Cabinet plug-ins. If you have bytes to burn, you can, of course, use the rack on as many tracks as you like.ĭrag and drop an Audio Effects Rack into the Guitar input track and click on its icon with the three dots and three parallel lines. By routing this affected input to any track that requires guitar, you can avoid multiple instances of the rack, saving CPU.
CHANGE GUITAR RIG PRESETS IN ABLETON INSTALL
This is where you will install the amp and effect modeling rack.
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First create a track and call it Guitar input. You are likely to find yourself using this rig on a variety of projects, so to make access easy, let’s set up an Audio Effects Rack containing everything you need.
CHANGE GUITAR RIG PRESETS IN ABLETON HOW TO
Let me show you how to build a software amp and effects rig that will have you thinking twice before throwing that SM-57 in front of your amplifier. Combining these two plug-ins with a few others-some included in basic Live, some available free on the interweb-you can dial up “virtually” any guitar sound. Fear not-if you bought the Live Suite, you can get a gamut of amp and effect sounds without any further spending by using the Amp and Cabinet plug-ins included with the DAW. But having just depleted your piggy bank for Ableton Live, you may not be ready to shell out another hundred or two for amp modeling software. Plug-ins like Native Instruments’ Guitar Rig and IK Multimedia’s Amplitube evoke the essence of Fender, Vox, Marshall, and more. Amp modeling now offers such realism and convenience it requires a special occasion to mic up an actual combo or stack.